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・ Love's Gonna Fall Here Tonight
・ Love's Gonna Get Ya!
・ Love's Gonna Get You (Jocelyn Brown song)
・ Love's Gonna Get You Someday
・ Love's Gonna Live Here
・ Love's Gonna Make It Alright
・ Love's Got a Hold on My Heart
・ Love's Got a Hold on You
・ Love's Gotta Hold on Me
・ Love's Great Adventure
・ Love's Greatest Mistake
・ Love's in You, Love's in Me
・ Love's Kitchen
・ Love's Labor Lost (ER)
・ Love's Labor Lost (film)
Love's Labour's Lost
・ Love's Labour's Lost (disambiguation)
・ Love's Labour's Lost (film)
・ Love's Labour's Lost (opera)
・ Love's Labour's Won
・ Love's Labours Lost in Space
・ Love's Lariat
・ Love's Last Shift
・ Love's Lines, Angles and Rhymes
・ Love's Lines, Angles and Rhymes (song)
・ Love's Long Journey
・ Love's Looking for Me
・ Love's Made a Fool of You
・ Love's Messenger
・ Love's Metamorphosis


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Love's Labour's Lost : ウィキペディア英語版
Love's Labour's Lost

''Love's Labour's Lost'' is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to forswear the company of women for three years of study and fasting, and their subsequent infatuation with the Princess of Aquitaine and her ladies. In an untraditional ending for a comedy, the play closes with the death of the Princess's father, and all weddings are delayed for a year. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy.
Though first published in quarto in 1598, the play's title page suggests a revision of an earlier version of the play. While there are no obvious sources for the play's plot, the four main characters are loosely based on historical figures. The use of apostrophes in the play's title varies in early editions, though it is most commonly given as ''Love's Labour's Lost''.
The historical personages portrayed and the political situation in Europe relating to the setting and action of the play were familiar to Shakespeare's audiences. Scholars suggest that the play lost popularity as these historical and political portrayals of Navarre's court became dated and less accessible to theatergoers of later generations. The play's sophisticated wordplay, pedantic humour and dated literary allusions may also be reasons for its relative obscurity, as compared with Shakespeare's more popular works. ''Love's Labour's Lost'' was staged rarely in the 19th century, but it has been seen more often in the 20th and 21st centuries, with productions by both the Royal Shakespeare Company and the National Theatre, among others. It has also been adapted as a musical, an opera, for radio and television and as a musical film.
''Love's Labour's Lost'' features the longest scene (5.2), the longest single word (5.1.30), and (depending on editorial choices) the longest speech (4.2.284-361) in all of Shakespeare's plays (see "Date and Text" below).
==Characters==

* Ferdinand – King of Navarre
* Lord Berowne (or Biron), Lord Longueville (or Longaville) and Lord Dumaine – attending on the King
* Princess of France, later Queen of France
* Lady Rosaline, Lady Maria, Lady Katharine and Boyet – attending on the Princess
* Marcadé – messenger
* Don Adriano de Armado – a fantastical Spaniard
* Moth – Armado's page
* Sir Nathaniel – curate
* Holofernes – schoolmaster
* Dull – constable
* Costard – a rustic
* Jaquenetta – country wench
* Forester
* Officers and others, attendants on the King and Princess

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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